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Week 9: Space + Art

June 01, 2017

When Victoria Vesna mentioned the fact that Neil Armstrong and Buzz Aldrin spent 3 hours on the moon documenting, I was immediately reminded of Google Earth’s documentation of the Moon and Mars. Google Earth have also mapped the stars. From a design standpoint, their map of the stars is very poorly designed. What also came to mind was Moon Museum, a small ceramic tile containing the artworks of Claes Oldenburg, Andy Warhol, Robert Rauschenberg, and other. The tile was placed on the moon during the visit by Apollo 12. I find it upsetting yet also comical that Warhol, when being able to draw the first piece to go on the moon, chose to draw a penis. An artwork that was referenced in our resources was Cosmic Dancer. The piece, created by Arthur Woods, was a geometric piece of metal that danced in space, and signified the early beginning of art and space combining. Another piece of artwork that i thought was absolutely beautiful was Azuma Makoto’s E

Week 8: NanoTech + Art

May 25, 2017

When I saw the title of this week’s lecture, I was completely disinterested. However, after watching the lectures, I found myself intrigued with nanotechnology because it encompassed almost every aspect of what intrigued me, and Dr. Gimzewski covered a wide range of interesting topics. What came to mind first was a piece of art that went viral a few years ago, the world’s smallest movie: A Boy and HIs Atom. This movie was a stop motion made only using atoms. I was very interested in Dr. Gimzewski’s mentioning of Drexler’s belief that you could make a hamburger out of dirt, and I believe that this is where we are heading. When he mentioned stained glass windows as an example of nanotechnology, I got very excited. I did some more research and discovered that the gold painted on stand glass windows purifies the air. What was also interesting was his mention of quantum dots, I discovered that quantum dots are now used in television sets to create a better color quality usi

Week 7: NeuroSci + Art

May 18, 2017

One quote that tied the sources to my personal findings is the following from Neuroculture: ‘Certain artists have produced work that either represents the artists’ state of consciousness when creating the work of art, or evokes altered states of experience in the viewer. The drugs of choice have changed as culture has evolved.’ Whilst LSD was the drug of the 20th century, prescription drugs like Prozac and Zoloft are the mainstream drugs of the 21st century. Victoria Vesna went into detail about how LSD shaped art and science in the later half of the 20th century, with psychologists like Timothy Francis Leary accidentally marketing LSD as a recreational drug, and the CIA’s work in Project MKUltra. Henri Michaux, during the 60’s, created works heavily inspired by mescaline and LSD, which featured a series of Pollock-esque lines and dots. He later said the drug diminished his creativity. My project for another class has prompted me to research bipolar medication an

Week 6: BioTech and Art

May 12, 2017

In this blog I’ll be looking into BioTech and Art in relation to food. The conversation surrounding GMOs has been going on for years, and the consensus is divided between people who believe food should not be genetically modified, and food should be genetically modified in certain cases where it is for the benefit of humans and not of greed. A video that has been circulating for a few years shows McDonald’s food gathering mold next to normal food. The McDonald’s burgers mold slower than the regular burger, but the fries, after two months hadn’t molded at all. This raised questions about what McDonald’s puts in their fries so that they never mold. Sometimes GMO food can be useful. Scientists have developed a ‘venomous cabbage’, a cabbage that is infused with scorpion poison which has been treated to not be poisonous to humans but only to animals and bugs. This is a more natural pesticide so that the cabbages will not be eaten by pests. The Critical Art Ensemble, led

Event Two: mnemoawari

May 12, 2017

‘mnemoawari’ is the title of an exhibition by Elí Joteva. It is a combination of two ideas; the Japanese word mono no aware, referring to the beauty found within the sadness of a fleeting moment, and the Greek Goddess of memory Mnemosyne, the mother of the nine muses. The exhibition had four parts: 3D renderings of 3 cryogenic sculptures, representing beauty immortalized, the 3 sculptures melting, representing the fleeting moment, a VR experience which put you within the sculpture, which reacted to the melting and dripping of the 3 sculptures, and an image of ‘the future’, a ball of ice made from water that stood next to someone as they slept, surrounded by the representation of brainwaves as they described their dreams. Technology is prevalent in Joteva’s pieces through 3D renderings, VR (and the reaction of the VR to sound), monitoring of brainwaves, and in the creation of the sculptures themselves. What I learned from seeing her work is that the

Midterm

May 04, 2017

https://docs.google.com/presentation/d/1e1syPu_SyxN1-Yg9XELqforNGV7kNNWkQEQjFFlHzHM/edit?usp=sharing

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